Ce film original de Disney Channel raconte l'histoire de deux schoolers haute qui découvrent leur amour pour le chant et contester leurs cliques dans le processus. Ce recueil de chansons comprend neuf chansons de la bande originale de record, Best-seller, tout arrangé pour alto, avec spécialement enregistré des pistes de soutien. Chansons comprennent : Breaking gratuit, chef de la Get'cha dans le bâton de jeu, début de quelque chose de nouveau, le statu quo, ce que j'ai été Looking For et plus encore ! / Alto

20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers have all along advised the classical string quartet’s outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in. The two volumes include A total of 20 easy to intermediate arrangements of pieces from Bach to Bartók, together with specifically composed ones in string-quartet friendly keys - Reading scores and individual parts - additionally, individual part for violin III instead of viola - Tips on warming up, intonation, bowing, fingering, tempos, dynamics, and playing musically - Specific instructions for the individual pieces - Lists of supplementary original literature The pieces are also effective as scored for chorus./ Recueil / Quatuor à Cordes

This collection of ten compositions for string quartet by Mozart includes six pieces dedicated to Joseph Haydn and three pieces composed for the king of Prussia. The King of Prussia for whom Mozart composed some of these quartets for was by all accounts a Cellist of no mean ability; especially if one may judge by these works whose Cello parts are elaborate and demanding often soaring into the upper ranges leaving the viola to take up its momentarily abandoned role as bass instrument! Works include String Quartet No. 14 in G major K387 'Spring' String Quartet No. 15 in D minor K421 String Quartet No. 16 in E flat K428 String Quartet No. 17 inB flat major K458 'The Hunt' String Quartet No. 18 in A Major K464 'Drum' String Quartet No. 19 in C major K465 'Dissonance' String Quartet No. 20 in D major K499 'Hoffmeister' String Quartet No. 21 in D major K575 'Prussian No. 1' String Quartet No. 22 in B flat major K589 'Prussian No. 2' and String Quartet No. 23 in F Major K590 'Prussian No. 3'

The Full Score for Peter Maxwell Davies’ fourth in a series of ten string quartets commissioned by the Naxos Recording company first performed by the Maggini Quartet on 20th August 2004 at the Chapel of the Royal Palace Oslo Norway as part of the Olso Chamber Music Festival. Composer Note: The fourth Naxos quartet was written in January and February of 2004 with the intention of producing something lighter and much less fierce than itspredecessor an unpremeditated and spontaneous reaction to the illegal invasion of Iraq.I returned to the well-known Brueghel picture of children's games (1560 now in Vienna) which had been the inspiration for my sixthStrathclyde Concerto for flute and orchestra. These illustrations liberated my musical imagination but I feel it would limit the listener's perception to be too specific about which game relates to exactly which section of thework. Suffice it to say that there is vigorous play - leap-frog bind the devil with a cord truss wrestling - alongside quieter pastimes - masks guess whom I shall choose courting odds and evens. The single movementjuxtaposes these activities as abruptly and intimately as they occur in Brueghel. Rather as the eye is taken into different perspectives and proportions of scale within the picture taking liberties which would never be presentin for instance Brunelleschi architectural drawings so here with a constant sequence of transformation processes I have distorted the neat precise implications of modal progression expressed in the unison opening phrase(from F to B through A sharp/B flat) so that the ear is led en route into the sound equivalents of strange passageways and closed rooms: sicut exposition ludus. As work on the quartet progressed I became aware that Iwas reading into and behind the games adult motives and implications concerning aggression and war with their consequences. It was impossible to escape into innocent childhood fantasy. The nature of the F to B

Par JOLAS BETSY. 'Almost half a century after 'B for sonata', here is another musical evocation of my intriguing trip to Bali. Yannis Xenakis and Toru Takemitsu were there, among others, and we were walking around in the dark one evening when a Topeng appeared to us, in full action: Balinese musical theatre with one actor successively playing several legendary characters by means of mask changes carried out in extreme agitation behind a curtain, accompanied by a raging gamelan. The memory of these little dramas has naturally lost much of its violence when it is evoked today in my 'Quartet VIII'. So we shall hear it here as if in a dream...'' Betsy Jolas / Date parution : 2022-06-08/ Répertoire / Quatuor à Cordes

Par HYNNINEN MAIJA. Maija Hynninen's piano quintet Nine-channeled Pearl flows effortlessly. Beginning with rhythmical gamelan-inspired movement it continues through twirling scales that lead to the heart of the piece – a sonorous bell-like harmonic on the piano. From this calm center the music continues floating in a dream-like world ending with a chorale played by the strings. Duration: 10' This product includes the score (=piano part) and the string parts. Composer Maija Hynninen (b. 1977) is working in the areas of concert music, electronic instrument design and multidisciplinary performances. The essence of her music builds on the unique moments where the parameters of this world are slightly altered to allow a glimpse of another reality to be present. It can be a moment where the timbre of purely acoustical writing gives surprising results or when electronics project sounds into another domain, another space and reality. / Date parution : 2023-06-01/ Répertoire / Quintette avec Piano

The series “Bärenreiter’s Concert Pieces” has now been expanded to include the three-movement Student Concerto op. 22 by Friedrich Seitz in arrangements for viola (BA 8986) and cello (BA 8987) previously published for violin (BA 8979). The concertos have been transposed making them ideal for beginners and young pupils. Concise forewords by the renowned string pedagogues Christoph and Kurt Sassmannshaus introduce the work and point out the relevant playing techniques required.